Wednesday, October 26, 2016

The Avengers ended with a smashing finale in which the title heroes shots against

Three years ago, The Avengers ended with a smashing finale in which the title heroes shots against an alien army. New York turned into havoc, portrayed in an impressive manner. One of the highlights was an ingenious visual shot in which the camera in a smooth movement of the bone had a superhero for a captured. To prove that Joss Whedon that trick is not forgotten, he opens his long-awaited sequel Age of Ultron a similar spectacle.

It is again so ?? s pretty clever fight scene that the viewer is thrown into one shot into the action. Not only the camera but also the super team has inimitable antics in a snowy forest, where they are ?? creatively ?? a way to pave a pillar of HYDRA accomplices. We see for example how Captain America makes a throughput over the wheel of his raging engine, to which colossus then hurl towards the enemy with brute force over his shoulders. The tone is immediately put: Age of Ultron is two hours and twenty minutes to produce roaring popcorn entertainment.

The battle in the forest is soon made more difficult by the arrival of two newcomers HYDRA: Quicksilver and Scarlet Witch. The mutants twin mainly with Tony ?? Iron Man ?? Stark still a bone to pick, because it was his bomb that killed their parents. While Quicksilver its unprecedented speed bet against the Avengers, Scarlet Witch used her magic powers to get inside the minds of the team members and so precisely to get to the mental pain points. It creates a gap in the group, which already delivers fast tensions.

Tony and Bruce using the captured sword Loki a way to generate artificial intelligence, which they ?? to the dissatisfaction of some teammates ?? are committed to protect the world forever at (extraterrestrial) scum. But the invention will lead its own life and concludes quickly that total eradication of humanity provides the best protection for the planet. And so have Thor, Iron Man, Hawkeye, Black Widow and the Hulk suddenly a new and far more dangerous foe in: the robot Ultron.

In the era of stunning digital machines among other things Transformers and Pacific Rim must be said that the title villain in Age of Ultron but makes little impression. A missed opportunity. This also applies to the half-hearted attempts at deepening some characters. There is hinted at a romance, a dark past comes to light and we get to know the hidden family life of one of the superheroes, but it's all some of the fleeting and superficial side. Really intriguing or compelling will not be. A tragic turn therefore hardly be upheld during the finals.

But there is one final size. If Whedon with this film again confirms anything, it's that he's a formidable action director. As in the previous part of the Marvel fans drooling half an hour at the insane and virtuoso filmed action. The course of the story and the further expansion of the Marvel universe know might not particularly excite, but the roller coaster ride in which humor, action, drama and romance alternate rapidly, Age of Ultron does not currently disappoint.

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